DO YOU LOVE ME (SLEEPWALKERS, 1992)

Sleepwalkers is one of horror novelist Stephen King's original screenplay about a mother and son team of feline-like vampires called Sleepwalkers. The Countours' famous song Do You Love Me has been used in the film during the cinema snack counter scene when something unexpected happened to Tanya played by the beautiful Madchen Amick.

DO YOU LOVE ME

sung by: The Contours

SPOKEN:

"You broke my heart, ’Cause I couldn’t dance

You didn’t even want me around

And now I’m back, to let you know

I can really shake ‘em down"

Do you love me? (I can really move)

Do you love me? (I’m in the groove)

Ah, Do you love me? (Do you love me?)

Now that I can dance (Dance)

Watch me now, Oh (work, work)

Oh, work it all baby (Work, work)

Well, you’re drivin’ me crazy (Work, work)

With a little bit of soul now (Work)

I can mash-potato (I can mash-potato)

And I can do the twist (I can do the twist)

Now tell me baby (Tell me baby)

Do you like it like this? (Do you like it like this?)

Tell me (Tell me)

Tell me

Do you love me? (Do you love me?)

Now, do you love me? (Do you love me?)

Now, do you love me? (Do you love me?)

Now that I can dance (Dance)

Watch me now, Hey, (work, work)

Oh, shake it up, shake it (Work, work)

Oh, shake ‘em, shake ‘em down (Work, work)

Oh, little bit of soul now (Work)

(Work, work) Oh, shake it, shake it baby

(Work, work) Oh, you’re driving me crazy

(Work, work) Oh, don’t get lazy (Work)

I can mash-potato (I can mash-potato)

I can do the twist (I can do the twist)

Well now tell me baby (Tell me baby)

Do you like it like this? (Do you like it like this?)

Tell me (Tell me)

Tell me

Do you love me? (Do you love me?)

Now, do you love me? (Do you love me?)

Now, do you love me? (Do you love me?)

(Now, now, now)

(Work, work) Oh, I’m working hard baby

(Work, work) Well, you’re driving me crazy

(Work, work) And don’t you get lazy (Work)

(Work, work), Oh, hey hey baby

(Work, work) Well, you’re driving me crazy

(Work, work) Don’t you get lazy (Work)...

DREAM LOVER (BEYOND THE SEA, 2004)

Award-winning Actor Kevin Spacey uncannily resembles and acted out one of the famous singers who ever lived, Bobby Darin. Spacey not only play Bobby but also sing all of Darin's hits. One of the signature song was, Dream Lover.

DREAM LOVER

sung by: Kevin Spacey

Every night I hope and pray a dream lover will come my way

A girl to hold in my arms and know the magic of her charms

Because I want (yeah-yeah yeah) a girl (yeah-yeah yeah)

to call (yeah-yeah yeah) my own (yeah-yeah)

I want a dream lover so I don’t have to dream alone

Dream lover, where are you with a love, oh, so true?

And a hand that I can hold, to feel you near as I grow old?

Because I want (yeah-yeah yeah) a girl (yeah-yeah yeah)

to call (yeah-yeah yeah) my own (yeah-yeah)

I want a dream lover so I don’t have to dream alone

Someday, I don’t know how, I hope she’ll hear my plea

Some way, I don’t know how, she’ll bring her love to me

Dream lover, until then, I’ll go to sleep and dream again

That’s the only thing to do, till all my lover’s dreams come true

Because I want (yeah-yeah yeah) a girl (yeah-yeah yeah)

to call (yeah-yeah yeah) my own (yeah-yeah)

I want a dream lover so I don’t have to dream alone

Dream lover, until then, I’ll go to sleep and dream again

That’s the only thing to do, till all my lover’s dreams come true

Because I want (yeah-yeah yeah) a girl (yeah-yeah yeah)

to call (yeah-yeah yeah) my own (yeah-yeah)

I want a dream lover so I don’t have to dream alone

Please don’t make me dream alone

I beg you don’t you make me dream alone

No, no, I don’t wanna dream alone

Come on, my darling, don’t make me dream alone

Please don’t make me dream alone...

DEEPEST BLUEST (DEEP BLUE SEA, 1999)

Rapper-Actor LL Cool J provided the movie's theme with cool rap aptly titled Deepest Bluest. LL plays the chef onboard the research facility infested with killer makos.

DEEPEST BLUEST (SHARK’S FIN)

sung by: LL Cool J

Uh, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Manmade terror

Hungry jaws of death

Y’all don’t cross my depths

I’ll pause your breaths

I cause you to sink down forty thousand leagues

Bleeding to death with no arms and short sleeves

My world’s deep blue

Killers gotta eat too

Looking for human flesh to rip my teeth through

Other fish in the sea but Barracudas ain’t equal

To a half human predator created by a needle

Jet black eyes baby they stare while you sleep

When your Titanic sinks I’m the one you gon’ meet

Hearing terrified screams they surround my team

All you see is trails of blood

Even God won’t intervene

Nightmares of darkness

My appetite is heartless

Even if we related, you eliminated regardless

In the deep blue, underwater walls

Half man, half shark

My jaws don’t fall

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Our Father who art in Heaven

Hallowed be Thy name

Killers sworn to beast

Swallowed them in flames

They switched my DNA

Trip me into Cool J

I can’t fight the feeling

I’m born to kill prey

To survive an attack

There’s only one way

Battle to the death

That’s how sharks play

Weapons left behind

We dueling with the mind

You blind, crippled, or crazy

You’re real easy to find

Struggling to flow with hemorrhages in your throat

Getting the lap dance while I smash through your boat

Eat your whole fam

Nothing left but a right hand

Clinging to a rail

Escape, attempts fail

You’ll never make it home

Tear the flesh off your bone

Walking in undercurrents is a dangerous zone

I’m talking death out a moment’s notice

You wasn’t focused

Me and my crew strike

Like some underwater locusts

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Uh, uh take it deeper

Uh, uh take it deeper

Uh, uh take it deeper

Uh, uh take it deeper

These waters are waist level

The hallway’s flooded

Lost your scuba gear

The killer’s cold-blooded

His name’s LL

You don’t really want it

I ate your ancestors

The ocean is haunted

I’m closing in cause I’m supposed to win

How the cold steel feel when it froze your chin

Should of stayed on dry land

Stroke while you can

’Cause now you under pressure in the land of the damned

Abandoned pirate ships

Eels and sod scum

Fish that glow in the dark

The Titanic’s hub

Underwater storms

Your blood is so warm

Your life vest is off

And that turns me on

Killer for centuries

The Gotti of the deep

In the next millennium

I’m still gonna creep

Sand under my belly, ocean over my head

Through the light in the shadows

You become the living dead

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Deepest, bluest, my hat is like a shark’s fin

Yeah, DBS, DBS

DIE ANOTHER DAY (DIE ANOTHER DAY, 2002)

Pop Icon Madonna was tasked to sang the theme of Pierce Brosnan's last foray as Agent 007 in Die Another Day. Madonna herself appeared in the film as Verity, a fencing instructor.

DIE ANOTHER DAY

sung by: Madonna

I’m gonna wake up, yes and no

I’m gonna kiss some part of

I’m gonna keep this secret

I’m gonna close my body now

I guess, die another day

I guess, die another day

I guess, die another day

I guess, die another day

I guess I’ll die another day

(Another day)

I guess I’ll die another day

(Another day)

I guess I’ll die another day

(Another day)

I guess I’ll die another day

Sigmund Freud

Analyze this

Analyze this

Analyze this

I’m gonna break the cycle

I’m gonna shake up the system

I’m gonna destroy my ego

I’m gonna close my body now

Uh, uh

I think I’ll find another way

There’s so much more to know

I guess I’ll die another day

It’s not my time to go

For every sin, I’ll have to pay

I’ve come to work, I’ve come to play

I think I’ll find another way

It’s not my time to go

I’m gonna avoid the cliche

I’m gonna suspend my senses

I’m gonna delay my pleasure

I’m gonna close my body now

I guess, die another day

I guess I’ll die another day

I guess, die another day

I guess I’ll die another day

I think I’ll find another way

There’s so much more to know

I guess I’ll die another day

It’s not my time to go

Uh, uh

I guess, die another day

I guess I’ll die another day

I guess, die another day

I guess I’ll die another day

Another day

Another day

Another day

Another day

Another day

Another day

Another day

DAYS OF WINE AND ROSES (DAYS OF WINE AND ROSES, 1962)

Crooner Andy Williams sang the soulful theme Days Of Wine And Roses from the movie of the same name. A drama about alcoholism, the film stars Jack Lemmon and Lee Remick. The song won an Oscar for Best Original Song.

THE DAYS OF WINE AND ROSES

sung by: Andy Williams

The days of wine and roses

Laugh and run away

Like a child at play

Through a meadowland

Toward a closing door

A door marked 'nevermore'

That wasn't there before

The lonely night discloses

Like a passing breeze

Filled with memories

Of a golden smile

That introduced me to

The days of wine and roses and you

(The lonely night discloses)

Like a passing breeze

Filled with memories

Of a golden smile

That introduced me to

The days of wine and roses and you

CROSS MY BROKEN HEART (BEVERLY HILLS COP II, 1987)

The famous brothers and sisters '80s group The Jets provided one of the coolest songs (Cross My Broken Heart) in the sequel to Eddie Murphy's successful cop comedy flick, Beverly Hills Cop II.

CROSS MY BROKEN HEART

sung by: the Jets

Cross my broken heart, boy

Cross my broken heart for you

I’m going to stay this time

Cross my broken heart, boy

Swear I’ll never part from you

I want you to be mine

I know you think I’m not

Your picture perfect jewel

Who’ll never break apart

When everything was cool

I needed to explore

And open up the door

But now I need you more

I’m sending out a message

A message so sincere

When I close my eyes

I need to feel you

Can't get you off my mind

For leaving me this time

I’m still in love with you

Cross my broken heart, boy

Cross my broken heart for you

I’m going to stay this time

Cross my broken heart, boy

Swear I’ll never part from you

I want you to be mine

If I had your attention

I’d tell you what I learned

Despite of good intentions

It's easy to get burned

I learned my lesson well

It’s you I need to tell

This time I’m all for you

I need for you to trust me

To give me all my best

I’ll prove just what your love means

Just put me to the test

This time I need to stay

Don’t need to go away

I’m still in love with you

Cross my broken heart, boy

Cross my broken heart for you

I’m going to stay this time

Cross my broken heart, boy

Swear I’ll never part from you

I want you to be mine

You’re my morning sun

You’re my shining star

You’re my number one

Cross my broken heart

In your eyes I see

What you mean to me

You’re my destiny

(INSTRUMENTAL)

I’m sending out a message

A message so sincere

When I close my eyes

I need to feel you near

Can’t get you off my mind

For leaving me this time

I’m still in love with you

You’re my morning sun

You’re my shining star

You’re my number one

Cross my broken heart

In your eyes I see

What you mean to me

You’re my destiny

Cross my broken heart, boy

Cross my broken heart for you

I’m going to stay this time

Cross my broken heart, boy

Swear I’ll never part from you

I want you to be mine

Cross my broken heart, boy

Cross my broken heart for you

I’m going to stay this time

Cross my broken heart, boy
Swear I’ll never part from you
I want you to be mine

Cross my broken heart, boy
Cross my broken heart for you
I’m going to stay this time
Cross my broken heart, boy

Swear I’ll never part from you

I want you to be mine...

COME INTO MY LIFE (COMING TO AMERICA, 1988)

One of Eddie Murphy's signature film in the '80s is about an African prince (Eddie Murphy) who goes to New York to find a bride. Murphy and co-star Arsenio Hall take on numerous roles for the film. Joe Esposito and Laura Branigan sang the ballad theme from the movie, Come Into My Life.

COME INTO MY LIFE

sung by: Laura Branigan & Joe Esposito

No one believes me

When I say I’ve fin’lly found

The girl I’ll love

Maybe I’ve been alone too long

Now my intuition leads me

Movin’ down the road

That takes me to your door

'Cause I know we’re something strong together

Oh, this isn’t easy for a man

I need to say it

Girl I really mean it

I’m asking you to stay

Come into my life

Tonight will last forever

Nobody’s touch has ever been so right

Let’s take this all the way

Come into my life

Surrender to the feeling

You’ve got what I’ve been needing for so long

So say that you will

Come into my life

I’m through pretending

That I’ve got everything

A girl could ever need

Baby it’s time I saw the light

I was strong and independent

But that never warms me

On the winter’s night

And I wanna hold you tight and tell you

Loving you has shown me

What it is I need to feel

When you’re least expected

You’ll find the one that’s real

So come into my life

Tonight will last forever

Nobody’s touch has ever been so right

Let’s take this all the way

Come into my life

Surrender to the feeling

You’ve got what I’ve been needing all along

So say that you will

Come into my life

No one can know how far has it carry us

We take it day by day just walking it half home

Oh I’ll try to say it tonight

And I hope it comes out right

Oh I’ve never been so better

As I have my love

So come into my life

Tonight will last forever

Nobody’s touch has ever been so right

Let’s take this all the way

Come into my life

Surrender to the feeling

You’ve got what I’ve been needing all long

So say that you will

Come into my life

Tonight will last forever

Nobody’s touch has ever been so right

Let’s take this all the way

Come into my life

Surrender to the feeling

You’ve got what I’ve been missing all along

So say that you will (say that you will)

Come into my life
Into my life

COLD (QUEEN OF THE DAMNED, 2002)

"How did you manage to slip through the 50's in red velvet?" - Lestat

Cold, one of the killer theme heard in the Queen Of The Damned movie adaptation of an Anne Rice bestseller. Static-X provided the vocals that vampire-rock star Lestat (played by Stuart Townsend) sings in his concert in the movie.

COLD

sung by: Static-X

　 We kiss

The Stars

We writhe

We are

Your name

Desire

Your flesh

We are

Cold

We’re so cold

We are so

Cold

We’re so cold

Cold

We’re so cold

We are so

Cold

We’re so cold

Your mouth

This words

Silence

It turns

Humming

We laugh

My head

Falls back

Cold

We’re so cold

We are so

Cold

We’re so cold
Cold

We’re so cold

We are so

Cold

We’re so cold

(INSTRUMENTAL)

Cold

We’re so cold

We are so

Cold

We’re so cold
Cold

We’re so cold

We are so

Cold

We’re so cold

COME ON, LET'S GO (LA BAMBA, 1987)

Lou Diamond Philips' signature film La Bamba is about the biographical story of rock and roll singer Ritchie Valens who dies young in a plane crash. The film was nominated in the Golden Globe for Best Motion Picture - Drama. A great soundtrack sang by Los Lobos more over boost the film's engaging story.

COME ON, LET’S GO

sung by: Los Lobos

Well, come on let’s go, let’s go, let’s go, little darlin’

And tell me that you’ll never leave me

Come on, come on, let’s go again again and again

Well, now swing me, swing me all the way darling

Come on, let’s go little darling

Let’s go, let’s go again once more

Well, I love you so dear, and I’ll never let you go

Come on baby soon

Oh pretty baby I love you so

Let’s go, let’s go, let’s go little sweetheart

And then we can always be together

Come on, come on let’s go again

I love you so dear, and I’ll never let you go

Come on baby soon

Oh pretty baby I love you so

Let’s go let’s go let’s go little darlin’

Whenever we belong here

Come on, come on le’s go again again and again and again

Again again and again and again

Again again and again and again

COME AND FOLLOW ME (NUMBER 5's THEME) (SHORT CIRUIT, 1986)

Who doesn't love and remember Number 5 a.ka. Johnny 5? The funny and friendly robot who was originally planned as a government experimental robot who becomes intelligent? Max Carl and Marcella Detroit sang the fun tune Come And Follow Me that suits the film's theme. 80's kids will always have fond memories of this film that results in a sequel two years after.

COME AND FOLLOW ME
(NUMBER 5’S THEME)

sung by: Max Carl & Marcella Detroit (as Marcy Levy)

Feels like I came alive just yesterday

Feels like I’m always gonna feel this way

Hearts havin’ set in motion

Worlds havin’ turned around

When you’ve been lost you know when you’ve been found

Easy to hide and live your life apart

Easy to find new ways to kill the heart

But I’ve lived through some changes

Laughter as well as pain

Now I can dance in sunshine or in rain

Come and follow me

To wherever the light breaks through

Come and follow me

And you’re gonna be dancing too

In your eyes I see

You’re alive as me

So whenever I’m lost then I can follow you

Too many people throw it all away

Can’t seem to take another empty day

Trick is to keep believin’

Trick is to simply see

Just how great the gift of life can be

Come and follow me

To wherever the light breaks through

Come and follow me

And you’re gonna be dancing too

In your eyes I see

You’re alive as me

So whenever I’m lost then I can follow you

Just when the light seems to be goin’ dim

You will be there I know like a true friend

Helpin’ me to shine again
Shine again

Come and follow me

To wherever the light breaks through

Come and follow me

And you’re gonna be dancing too

In your eyes I see

You’re alive as me

So whenever I’m lost then I can follow you
Come and follow me
Come and follow me, Baby
In your eyes I see

You’re alive as me
So whenever I’m lost then I can follow you…

4 MINUTES (GET SMART, 2008)

Steve Carell plays the bumbling yet always-gets-his-work-done Agent Maxwell Smart in the modern remake of the classic t.v. series starring Don Adams. An okay effort with some real funny moments provided by Carell and even his sidekick Agent 99 played by Anne Hathaway. Justin Timberlake and Madonna's hit tune 4 Minutes were used and heard at the end of the movie.

4 MINUTES

sung by: Justin Timberlake & Madonna

(Feat. Timbaland)

TIMBALAND:

I’m outta time and all I got is 4 minutes
I’m outta time and all I got is 4 minutes
I’m outta time and all I got is 4 minutes
I’m outta time and all I got is 4 minutes
I’m outta time and all I got is 4 minutes
I’m outta time and all I got is 4 minutes
I’m outta time and all I got is 4 minutes
I’m outta time and all I got is 4 minutes

Come on, yeah

Break down

Come on

MADONNA:

Come on, boy

I’ve been waiting for somebody

To pick up my stroll

JUSTIN:

Well, don’t waste time

Give me a sign

Tell me how you want to roll

MADONNA:

I want somebody to speed it up for me

Then take it down slow

There’s enough room for both

JUSTIN:

Well, I can handle that

You just gotta show me where it’s at

Are you ready to go? (Are you ready to go?)

MADONNA & JUSTIN:

If you want it

You already got it

If you thought it

It better be what you want

If you feel it

It must be real

Just say the word and

I’ma give you what you want

MADONNA & JUSTIN:

Time is waiting

We only got 4 minutes to save the world

No hesitating

Grab a boy, grab a girl

Time is waiting

We only got 4 minutes to save the world

No hesitating

We only got 4 minutes, 4 minutes

MADONNA, JUSTIN & TIMBALAND:

Keep it up, keep it up, don’t be a pri, hey

Madonna, uh

You gotta get in line, hop

Tick tock tick tock tick tock

That’s right, keep it up, keep it up, don’t be a pri, hey

Madonna, uh

You gotta get in line, hop

Tick tock tick tock tick tock

MADONNA:

Sometimes I think

What I need is a you intervention, yeah

JUSTIN:

And you know I can tell that you like it

And that it’s good

By the way that you move

Ooh, hey

MADONNA:

The road to hell

Is paved with good intentions, yeah

JUSTIN:

But if I die tonight

At least I can say I did what I wanted to do

Tell me, how ‘bout you?

MADONNA & JUSTIN:

If you want it

You already got it

If you thought it

It better be what you want

If you feel it

It must be real

Just say the word and

I’ma give you what you want

MADONNA & JUSTIN:

Time is waiting

We only got 4 minutes to save the world

No hesitating

Grab a boy, grab a girl

Time is waiting

We only got 4 minutes to save the world

No hesitating

We only got 4 minutes, 4 minutes

MADONNA, JUSTIN & TIMBALAND:

Keep it up, keep it up, don’t be a pri, hey

Madonna, uh

You gotta get in line, hop

Tick tock tick tock tick tock

That’s right, keep it up, keep it up, don’t be a pri, hey

Madonna, uh

You gotta get in line, hop

Tick tock tick tock tick tock

TIMBALAND:

Breakdown, yeah

(Tick tock tick tock tick tock)

Yeah, uh huh

(Tick tock tick tock tick tock)

I only got 4 minutes

To save the world

CHARADE (CHARADE, 1963)

Stanley Donen directed Charade, a romantic thriller with a touch of comedy. At times felt like it was handled by Alfred Hitchcock thus earning the phrase 'the best Hitchcock movie that Hitchcock never made'. The icon of beauty Audrey Hepburn and dashing Cary Grant stars. A melancholic theme compliments the film.

CHARADE

sung by: Chorus

When we played our charade

We were like children posing

Playing at games, acting out names

Guessing the parts we played

Oh what a hit we made

We came on next to closing

Best on the bill, lovers until

Love left the masquerade

Fate seemed to pull the strings

I turned and you were gone

While from the darkened wings

That music box played on

Sad little serenade

Song of my heart’s composing

I hear it still, I always will

Best on the bill

Charade

BROKEN (X-FILES: I WANT TO BELIEVE, 2008)

The second and perhaps the last of the movie adaptation of one of the most succesful and iconic t.v. series ever produced, The X-Files. With subtitle: I Want To Believe, the film felt more like a full-length episode of the show itself sans alien-centric theme unlike the first film. Unkle, a british band with Gavin Clark provided the end theme Broken. A cool theme in fact.

BROKEN

sung by: Unkle feat. Gavin Clark

Dead state I can feel the weight

Light streaming in through an open grate

Two thread score tearing up the floor

Out in the alley with the trigger draw

Numb hands I can see the strand

Hold it together with a severed ban

Three lost years I’ve been crying here

I’m over, I’m over, I’m over, I’m broken

Strung out with wings of the dawn

Hole in the black, soul in the storm

Torn down through the cracks in the dark

We’re miles adrift, we’re inches apart

I’m hit I can feel the grit

Sat in the asher on the beaten brick

Two thread main running through the vein

Out in the centre with a mirrored cane

Numb feet I can hear you speak
Hold it together with a severed streak

Three full years I’ve been crying here

I’m over, I’m over, I’m over, I’m broken

Strung out with wings of the dawn

Hole in the black, soul in the storm
Torn down through the cracks in the dark

We’re miles adrift, we’re inches apart

Stood up on the side of the earth

Thrown back to the track to the dirt

Two thread lose an hour a day

We’re miles adrift, we’re inches away

(INSTRUMENTAL)

Strung out with wings of the dawn

Hole in the black soul in the storm
Two thread lose an hour a day

We’re miles adrift, we’re inches away
We’re miles adrift, we’re inches away

BORN TO HAVE IT ALL (CARRIE, 1976)

The 'other' Carrie song also sang by Katie Irving, Born To Have It All wasn't as popular as Katie's famous song in the movie Carrie but nevertheless memorable and touching as well. The theme was heard during the prom scene.

BORN TO HAVE IT ALL
sung by: Katie Irving

Young girls

Some were born to dance

Born to take a chance

Others sleep at home

And they dance alone

No one even knows

But you

You were born to touch

Born to want too much

Let the bodies fall

You were born to have it all

Born to have it all

And if you could cry

It would only be for more

Born to be the girl in the mirror

And the others want to be her

If a girl could wish

It would only be to be a girl like this

Oh, ‘cause she has it all

And for all they know

That is all there is

Young girls

Some were born to dance

Born to take a chance

Others sleep at home

And they sleep alone

No one even knows

CIRCLE OF LIFE (THE LION KING, 1994)

One of the very successful Disney-produced full-length animation was the story of one cub named Simba who will one day rule the dessert and thus be called 'The Lion King'. Elton John co-written most of the songs in the film.

CIRCLE OF LIFE

sung by: Elton John

From the day we arrive on the planet

And blinking, step into the sun

There's more to be seen than can ever be seen

More to do than can ever be done

Some say eat or be eaten

Some say live and let live

But all are agreed as they join the stampede

You should never take more than you give

In the circle of life

It's the wheel of fortune

It's the leap of faith

It's the band of hope

Till we find our place

On the path unwinding

In the circle, the circle of life

Some of us fall by the wayside

And some of us soar to the stars

And some of us sail through our troubles

And some have to live with the scars

There's far too much to take in here

More to find than can ever be found

But the sun rolling high through the sapphire sky

Keeps great and small on the endless round

In the circle of life
It's the wheel of fortune
It's the leap of faith
It's the band of hope
Till we find our place
On the path unwinding
In the circle, the circle of life

It's the wheel of fortune, yeah
It's the leap of faith
It's the band of hope
Till we find our place
On the path unwinding, yeah
In the circle, the circle of life

On the path unwinding, yeah

In the circle, the circle of life

CAT'S EYE (CAT'S EYE. 1985)

Horror novelist Stephen King who is fond of cats as evident in her novels and movies came up with a fun albeit surreal stories of feline-related tales and the result is Cat's Eye. Lead by no less than young Drew Barrymore who battles an evil gnome living in her bedroom. Ray Stevens who sang Cat's Eye was used in the film.

CAT’S EYE

sung by: Ray Stevens

I didn’t know I was someday spelled

I couldn’t know there was no way to tell

I took a step, I slipped, I fell, I didn’t know why

Deep in the dark, it was too hard to see

That in the night it had come over me (huh!)

Just stole my soul, imprisoned me with your cat’s eye!

Cat’s Eye!

How you caught me unaware

Cat's Eye!

How you hold me in your cell

Cat’s Eye!

Won’t you hide, but tell me where

Cat’s Eye!

You got me spellbound

Cat’s Eye!

How you stole my breath away

Cat’s Eye!

How you tucked me night and day!

Cat'sEye!

I can never get away

Cat’s Eye!

I’m spellbound

It’s like a dream, only when do I wake

Can’t even scream, every breath that I take

Belongs to you, what can I do

Why should I try

I woke around like a boy in a trance

You pull the strings, I’m a puppet I dance

You are holding me, eternally

In your cat’s eye

Cat’s Eye!

Took my heart, was just a move

Cat’s Eye!

Every stare is like a hook

Cat’s Eye!

Just one look, is all it took

Cat’s Eye!

You made me spellbound

Cat’s Eye!

How you stole my breath away

Cat’s Eye!

How you tucked me night and day

Cat’s Eye!

I can never get away
Cat's Eye!

I’m Spellbound

It’s like a dream, only when do I wake

Can’t even scream, every breath that I take

Belongs to you, what can I do

Why should I try

Cat’s Eye!

Took my heart, was just a move

Cat’s Eye!

Every stare is like a hook

Cat’s Eye!

Just one look, is all it took

Cat’s Eye!

You made me spellbound

Cat’s Eye!

How you stole my breath away

Cat’s Eye!

How you tucked me night and day

Cat’s Eye!

I can never get away
Cat’s Eye!

I’m Spellbound